Leah Hennel Wins Awards at Canadian News Photographers Pictures of the Year

Young hutterite women help catch a calf during branding on the Pincher creek Colony in southern, Alberta. This photo by Leah Hennel was awarded a First Place in the Features category.

Every year the News Photographers Association of Canada presents their Pictures of the Year Contest, which recognizes the best in Canadian photojournalism. So happy to share that our very own Leah Hennel took several top awards including a first-place in Features Category, second-place in Portrait, an HM in Picture Story Feature, and a runner-up in the Photojournalist of the Year category. There was an amazing display of photojournalism nominated this year and we want to congratulate all the winners and also all the photographers that entered this year. 

Novice steer rider Kade McDonald of Melville, Sask. poses for a portrait after his muddy ride at the Calgary Stampede. This photo by Leah Hennel was awarded a second-place finish in the Portrait/Personality category.

Hennel has won awards in previous NPAC POYs, but also has received the top honours at the National Newspaper Awards (NNAs) in 2013 and 2016.


Cole Burston on Covering the Toronto Van Attack

Jimmy Jeong: It’s April 23, 2018 and reports started hitting social media and the news that a van was rampaging through the North York Business Centre and hitting people. Take me through that morning. What were you doing before you heard the news of what was happening?

Cole Burston: I was having coffee getting through invoices and awaiting the call of my girlfriend to pick her up from the train station. A friend had sent me the news alert and suggested it could be something big. So I ran home got my gear and ran to my car. 

JJ: So you went to the scene before anyone called you?

CB: It wasn’t till I was 15 minutes away from Yonge and Finch that a photo editor from the New York Getty office called me and asked if I could cover some breaking news. I figured my phone would be ringing off the hook if it is in fact something big. I’d rather be on scene when I get a call then be sitting at home waiting for the call.

JJ: Describe what you saw when you first arrived.

CB: When I first arrived it was eerily calm. There were cops standing around over top of bodies covered in tarps. People in the area were all watching as everything unfolded. But an eerie calm in the air. So when I first got there, I asked them to tell me where the van was located. I wanted to keep up and follow the story as it was happening. 

JJ: What was your first frame?

CB: The first frame I shot was cops standing over a body and people in the foreground watching.

CB: I then got the message that the van had been stopped near Sheppard Avenue. 2KM away at the next major intersection. I knew i wanted to follow the news, and not just make pictures of where I was. I started my 2km run to the van.

JJ: With full gear?

CB: Full gear - backpack, laptop, two kits, and a 300mm f2.8. I stopped along the way to take a couple more pictures of bodies ( I didn’t realize the whole 2km stretch was littered with at least 9 bodies.)

JJ: Shit.

CB: I stopped into a Dairy Queen where a TV was playing the news. I filed a quick shot for the desk and then continued running. I finally got to the van. Shot what was there, filed it. Then started the run back to the main intersection. At this point I was dead tired but continued shooting. Eventually I needed a power outlet to charge my laptop so I stopped into an Iranian bookstore that was right off the main spot. We chatted. He was very kind, offered me water as I was sweating and out of breath from the run. In the days following, I’d stop in and see him. Just to make sure he was doing OK since there was a body pretty well across from his shop that day.

JJ: How did you end up working for multiple agencies?

CB: Getty wanted me on for the first two days and then their coverage was ending. The Globe called on the third day in the morning. And then CP called the fourth day.

JJ: Did you ever get a chance to pick up your girlfriend from the train station?

CB: No. She’s no longer my girlfriend. Just kidding. 

Cole Buston is a photojournalist based in Toronto, Canada. He is a regular contributor to the New York Times, The Globe and Mail and Maclean’s Magazine. He is also a member of Rogue Collective. www.ColeBurston.com


Amber Bracken awarded a 2018 Infinity Award from ICP

Rogue photographer Amber Bracken was awarded a prestigious ICP Infinity Award in 2018 for Documentary and Photojournalism. We are so happy and honoured for her to be included in such a strong field of story-tellers. Since 1985 the awards have honoured major contributions to photography and include Lynsey Addario, Richard Avedon, Henri Cartier-Bresson, Chuck Close, David Guttenfelder, Mary Ellen Mark and James Nachtwey, Eugene Richards, and Sebastião Salgado.

From the ICP site:

Amber Bracken is a member of Rogue Collective and lifelong Albertan covering assignments across the province and farther from home. After getting her start as a staffer in daily newspapers, she has moved on to a freelance career and the pursuit of long-term projects. She has since worked with many clients, including National Geographic, The Globe and Mail, BuzzFeed, Reuters, Maclean’s, The Canadian Press, Postmedia, and Canadian Geographic. In her personal work, Bracken’s interest is in the intersection of photography, journalism, and public service, with a special focus on issues affecting Indigenous people. With the rise of movements like Idle No More, communities are increasingly empowered to fight for a more just relationship with the government and non-native people. She is looking for ways to represent and foster that strength. With that intention, Bracken has been building relationships in Indigenous communities and starting to document important issues around culture, environment, and the effects of intergenerational trauma from colonialism.

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